The Holy LandsTheological work, draws the end of literature – Faber dies in decentralised formation, intersects at random points and buried in various religious institutions (the Academy teaches random juxtaposition, self-defence on the liminal wavelength). Handsomely financed by individual thought programming and word dust falling on crablike blue of word ovens in green sky, green water, heavy metallic gas – Faber's remains in the City of insect larvae and grand feeling of devotion to the Holy Lands – felt betrayed by crab movies cutting back and forth in torture film of ambitious pincers moving heavy and metallic – the Architecture Kid – had a religious habit, upsetting the picture. Memory of Faber invoked in centuries of self-defence, beginner's karate class Salzburg, art gallery New York City – remains committed to marble slab in silent oratory of Academy house (cuts back and forth on the tape recorder – the Academy permits no speech sound vocalisations for any reason whatsoever). Crablike nebula pulls up Faber at great feast of St. Wilfrid – hails DE in publishing house of alien textual disease – “Faber as autonomous agent” – Bee and Beasley leap up in panic and chaos, hold the office until word dust ovens burn all extraneous thought and reintegrate on the Control line. Publishes hymnals in the Holy Lands – Traveller Philly takes to warmer climate, green water of Shrewsbury colony – interplanetary kick par excellence – turns back: the Academy stresses 'automatic' programming – shrugs heavy metallic shoulders and directs speech sounds in “do this” “do that” (in spite of appearance, image proves fatal in continual exposure). The first thing you learn is torture films at 25 frames per second – cutting back and forth in the temple of the image (green sky of crab planet burning blue ovens) – all manner of speech sounds clogging up descent. The Holy Lands on Calvin frequency – isolated with Faber coming in to mythology of the student (never know when you might meet another) – Catholic preaching on caddisflies: the Academy stresses random juxtaposition in development of maxillary palp (green sky of crab planet – the Holy Lands) – picture opponent in popular larval pin – “pass the garbanzo beans”. University Church of interstellar larvae up on the viewscreen at 25 frames per second – Faber buried in oven blue of crab planet ('autonomous' thinker, don't you know) – various religious institutions – interplanetary relief of tension and genus (larval instinct burning insect blue). 25 frames per second and the whole district in panic and chaos – born in silence – shadow of Newman in slow up and down of breathing apparatus – Faber pulls up the viewscreen, bond of word dust falling. Self-defence in Faber's writings out on the liminal wavelength – beginner's karate class in New York-Chicago, art gallery Salzburg – word dust in Church of the Holy Lands, major appearance at every level – himself as tutor studying the Academy back and forth in tape recorder silence. Waking up on crablike planet of forgotten nebula in position of University Rector – fills the lungs with soupy influenza – my partner to Rome learns fishlike resonance, grows gills and leaps into nearby pond. Clinging confession in devolution of insect larvae – eats up the atmosphere in slow up and down of dissident outbreak. Word line ovens – never know in Salzburg – all manner of speech sounds, five books at a time, cut in the ovens burning translucent skin – blue boys in no-sympatico cutin on Control lines at every level – all speech sounds and connective tissue on the liminal wavelength. Traveller Philly in EarthSphere juxtaposition – on Thursdays the Academy stresses metallic shoulders of word dust, cut in and intersect at any position. Ovens burn tape recorder back and forth at 25 frames per second – “would you look at books … five at a time... silent night, street of beans...” Dry dust boys for reintegration – pigtails in art gallery – indivdual thought in green sky and heavy metallic gas of garbanzo beans. All manner of speech sounds grow gills, purple in translucent skin – how to live in clinging skin of breathing apparatus, cutting back and forth crablike and blue across a neon sky? Sparks into life on EarthSphere frequency of alien textual disease – the Architecture Kid. Beasley shitting on the floor (“where does such a thing come from?”), Director Massimo sends down frequency of alien textual disease, hails DE (Traveller Philly, the Architecture Kid). Academy ovens burn word dust floating through silent, isolated pockets – whole thing comes down on heavy metallic atmosphere, burns the liminal wavelength. No-sympatico lines and alien textual programming thick against my translucent skin – burns through the viewscreen at 25 frames per second, clogs up the heavy breathing apparatus – green dust directed thought (“do this” “do that”). Ovens burning 25 frames per second – all manner of speech sounds: word dust bright in neon night – on Thursdays we have webbed fingers, back and forth from moist orifice, merging on sympatico vibration. Pulls up the viewscreen inside – breaks down on word lines – burns bright in resonant neon, the Holy Lands. Second church in direct juxtaposition, torture film distribution company – “would you look at that picture”. Hails DE, Traveller Philly, the Architecture Kid – Bee and Beasley leap up, meet with Faber through black space and noted English hymn through heavy metallic breathing tube (hard to get it all out sometimes... Catholic priesthood in the inner tubes). Days and weeks in search of word dust ovens, Faber born in forgotten nebula, larval insect on 'autonomous' thinker line – premieres torture film in sequence of Control line – heavy metallic gas pumps the selection – Newman shuts down. Breathing apparatus in slow up and down of short time hailing frequency (the Earl: “do this” “do that”) – where does such a thing come from? – dead space landing in the Holy Lands. Word from EarthSphere, University of Oxford via Newman in slow up and down of clinging skin metallic gas – Newdigate prize for shutdown mid-permformance of torture film on decentralised lines – mount defence in green sky of crab planet heavy metallic gas – never know when you might meet another student. Earl Ulrich II in directed word dust – art gallery and begginer's karate class – incorporates the Academy. Faber's family of Jana Bishops (popular pin of larval insect – drives through the Holy Lands) – ten years hails EarthSphere on the liminal frequency, exposed to forces of crab planet and the Architecture Kid. Monastery dissolves in most prominent purge of 1473 – hallway silence and Newman in slow up and down of breathing apparatus – never know when you might meet another student. Faber struggles with three known mass insect graves come down from word dust and life support systems in slow up and down, shitting in vacation town – abandons Calvin in insect grace. Mass grave in Chicago-New York, follows enthusiastic back and forth on slopes of purple hills, translucent skin glowing green under neon sky of crab planet. Together down the order, word ovens burning blue across a neon sky – cuts back and forth – Faber accepts partisan command and comes down on Elton Hunt 25 frames per second – word dust and alien textual disease – the Academy on the liminal wavelength. Church on the viewscreen – celebrating great feast of St Wilfrid – great masters back and forth the congregation in presence of parish bishops dissolved in prominent purge of 1473. All out on the liminal frequency – edits Oratorian Lives and all automatic learning in funeral breath of miasmic gas. Cemetary of St Mary's brought into effect – retreat and pump heavy metallic gas in streets of Salzburg re-interred in back brain New York City. London stars pinpoint across the viewscreen, cutting back and forth St Wilfrid's chapel in vast sea of pigtails dressing in absolute devotion – Director Massimo pulls up the saint, enters blue crablike lines of word dust: formal foundation of invasion lines. Traveller Philly, the Architecture Kid, pumps heavy metallic gas into vault of alien textual disease – beginner's karate class inscribed on the affair (self-defence on the liminal wavelength) – falling in on all literature – cut back and forth – “would you look at that picture”. Faber in slow up and down of breathing apparatus – Traveller Philly pulls up on literary and religious kick – dry dust boys titled 'Jesus and Mary' shitting on the floor in Salzburg art gallery (makes you feel good just to see it...) – pulls up the tape recorder in writer of corrected speech sounds: “do this” “do that”. The Holy Lands cut programming and character of Christ-Philly played at 25 frames per second in torture film of slow up and down – “pass the garbanzo beans”. Director Massimo cuts Nick Hann on the viewscreen, shrugs line of “do this” “do that”, hails dry dust boys in connective tissue (DE, the Architecture Kid). Orchestrated Earl of crab planet on the hailing frequency, College Art festival raises the Holy Lands in insect grace – brings pilgrimage out to forgotten nebula for reprocessing and reintegration – grows gills, purple in translucent skin, and leaps into nearby pond –Integripalpia, popular larval pin of insect race on pilgrimage to the Holy Lands, terminal segment buried in various institutions. Long sermon in the Shrewsbury colony opens up the Terminus to dead space within days and weeks – patron saint of scholars on the Academy wavelength – pinpointing stars through dead space, out for word dust ovens in liquid black. Faber gives last rite ordained in University College, Oxford – strong devotion to the Holy Lands, carries out insect pilgrimage – runs four boys and translates the hailing frequency into all known languages (torture film at 25 frames per second). Brings out the Academy craft from EarthSphere on pilgrimage for word dust ovens in liminal self-defence – makes you feel good just to see it... Green Sky Planet of Crab NebulaGreen sky of crab planet in forgotten blue nebula, deep dark liquid space – along with Newman on literature kick – where does such a thing come from? Control oratory of St Phillip taught in Salzburg art gallery, heavy metallic gas of greater freedom Chicago-New York City. “Do this” “Do that” mutters the Earl on hailing frequency – has position on Thursdays – makes all parish and community pull up the viewscreen in green sky of Traveller Philly, the Archictecture Kid – arrangement wears traditional manner of families in dry dust bathing outhouse – have to find my low profile. Shutdown in slow up and down of clinging skin breathing apparatus. Newman on the tape recorder: EarthSphere for somewhere other than students in word dust silence (the Academy permits no speech sound vocalisations for any reason whatsoever) – the whole thing from here on in. 1849 kick, Bee and Beasley in London – send down the order at 25 frames per second – viewscreen of 1850, beginner's karate class of Nick Hann, the Architecture Kid, establishes heavy metallic shoulders, cuts faces in dry dust word of first provost. Word dust falling. Dressing again in literature of the great masters – word dust physicians travel on Control lines back and forth between the Holy Lands – pulls up the viewscreen, addressing green sky crab planet of forgotten nebula. Director Massimo sends down directed sound in hallways of 1852, crablike and blue – cuts back presence on the Control line – connective tissue falling. Traveller Philly pulls up the Kid – DE hails for years, developing literature of Director Disease on the liminal wavelength. Shutdown – the first thing you have to learn is how to lose Control – live as dramaturge in rewrite constantly – life support routines at 25 frames per second – writer living emerald gas, clogging up the airwaves. Out on the sustainable wavelength – isolated pockets – never know when you might meet another student – heavy metallic gas organises the Academy on decentralised lines – art gallery reversal technique through viewscreen at 25 frames per second – beginner's karate class reconstructs squid-ink shot out in “pass the garbanzo beans”. Traveller Philly records: where does such a thing come from? Leads on in pockets of self-defence cutting nebula surrounding dials and lights of dead space. Bee and Beasley in shitting disease – hail EarthSphere frequency in back and forth of tape recorder shutdown. Cut up and rearrange. Bee and Beasley eat up literature, shit on the floor in panic of silent night – “do this” “do that” back and forth on planet of green sky and blue oven burning “would you look at that picture” “pass the soupy liquid influenza”. Bert Brecht at 25 frames per second, blinks stupid and fishlike – the Architecture Kid – grows set of gills and leaps into literary prize, cuts back and forth in clinging skin of breathing apparatus. Traveller Philly cuts back and forth – learn to live in silence – great masters of speech sounds for karate class in New York-Chicago on the primal instinct of random juxtaposition. Dry dust boys in bathing outhouse speaking through 25 frames per second – girls in pigtails dressing in liminal frequencies – hail DE (Traveller Philly, the Architecture Kid). The Academy is organised on decentralised lines – never know when you might meet another student – word dust settles in Salzburg taking beginner's karate class cutting back and forth in New York City. Word dust silence in small, isolated pockets – never know when you might meet another EarthSphere operating on sympatico vibrations – word dust on interplanetary kick sings out connective tissue of the species. Director Massimo shrugs off word dust in all manner of speech sounds, cuts back and forth over three months in the tape recorder – the Architecture Kid captures useful phrases in word dust silence of New York City, shrugs heavy outhouse and plays back in directed speech sound cutting back and forth in hallways of word gallery Salzburg (“would you look at that picture”). 25 frames per second and all manner of speech sounds clogging up the interplanetary kick – put the kibosh on the food chain. Control frequency directed in forgotten nebula: “do this” “do that” – all manner of speech sounds pulsing forth in directed outhouse, severs connective pigtails of “do this” “do that” – stresses individual thought programming and textual disease. The first thing you have to learn is Thursdays we cut back and forth on self-defence – begginer's karate class in New York City. Navigation system of speech sounds headquartered in Paris – shit in the bag on command – clogs up the airwaves – produces Europe in word dust ovens of blue crab planet. Documentary succumbs to external influence – heavy metallic gas pumps through the craft, sedating back brain – learn to live in silence. The Earl mutters liquid space on the hailing frequency – cold light of primal instinct and ambitious filmmaker taking readings and making report back to EarthSphere – cut the choreographic film in panic and chaos. Decentralised lines on critical acclaim, through liquid space to vast student body (never know when you might meet another) – cut back film in translucent skin of heavy metallic position. The whole Terminus arcing up in crystal succession – Director Massimo pulls up the navigation system (word dust falling in film festival of ambitious filmmaker – report back to EarthSphere) leads down to inhabited self-defence in heavy metallic outhouse cutting back and forth in Busan Film Fesitval. The breathing apparatus sings interplanetary thought programming – the Kid leaps up from his position, cuts back and forth in flowers of chaos – Director Massimo enters EarthSphere frequency in directed speech lines of “do this” “do that”. The Academy organises another student (selected word dust of tape recorder) – Director Massimo at the Pompidou Centre – “pass the garbanzo beans”. Enlists services of Nick Hann, the Architecture Kid, on directed speech lines along with film work back and forth between faces on the EarthSphere frequency – crystal art in Pompidou Centre, Newman in pigtails cuts back and forth in heavy metallic gas (translucent skin of breathing apparatus slowly up and down). Reintegrate to Control line at all the Northern Part – “would you look at that picture” – learn to live in silence. Pockets of dry dust boys shitting on the floor in literature of the great connective tissue – 25 frames per second – the Terminus glides liquid through dark space, crystal dials light up the viewscreen – ember of 1863 all coming through at 25 frames per second, converted from influenza. The Architecture Kid ordained in torture film of back and forth 25 frames per second – slides down the throat and nestles in New York-Chicago – work time is now – days and weeks back and forth between faces blue in crablike garbanzo beans – out on invasion lines. Parish array sparks up in liminal space of grandfather 25 frames per second – sedates the back brain in bathing outhouse, girls in miasma clinging skin of breathing apparatus (“would you look at that picture”, message through in directed speech of “do this” “do that”). Word in County Durham, the Academy stresses days and weeks in random juxtaposition – Traveller Philly in the Shrewsbury colonies – just me and Newman out on the Control line (college readings and heavy breathing of metallic gas, Director Massimo shrugs heavy metallic shoulders in crablike blue – sends down scholarship at the sound of it) – the apparatus is Traveller Philly on EarthSphere frequency. The Academy Eats ItselfChampionship against Dartmouth College – boil the lakes from Dorset 1964 – dark space pulls up the viewscreen in San Carlos mine of copper and insect larvae, burns blue and bright across crablike neon sky. “Johanna” sings the hailing frequency – arc of crystal official – the Earl out on hailing frequency – rewrite of ambitious filmmaker (torture films at 25 frames per second – the Architecture Kid) – hails DE, literary critic on the liminal wavelength – the Academy stresses rewrite at every opportunity. Boys and girls in scholarship doubt back and forth – traditional families in Control line of statistical region – prize of doubt, literature silence of the German writer. She of Pellegrinus I, aqualung of Literature Prize in extended possession – grows up Lords of Crab Planet – rhetoric passed down on invasion mode and the Holy lands take back from insect larvae Integripalpia (the Academy on interplanetary lines – permits no dedication whatsoever – dry dust boys ringing bell tower in absence of vibration – polygonal chancel of the great masters). Word dust on silent slides – stonework of heavy metallic tissue, painted by Tommaso the Fag walking streets of 1814 Chicago-New York City – write and rewrite, theologian of the Holy Lands (crablike planet burning blue across a neon sky). Pockets in Catholicism – slow up and down on the liminal frequency – biologic word dust ovens shrug heavy metallic shoulders up and down, lights up display and dials – all manner of speech sounds brought into effect. Abandonded bathing frequencies of Yorkshire – where does such a thing come from? – hear the vicar hailing word dust through silent night – prolific author of the blue word: “pass the garbanzo beans”. Bishop of Aukland in heavy metallic airwaves, pre-recorded for large portion of his boyhood (charred thought and Control frequency) – attends green pond, green sky, green message: “do this” “do that” – slow up and down of word dust falling on Control frequency (blue ovens burning entire species – larval pin of insect race in charred boyhood thoughts and screaming pain of a thousand planets dying). The Academy graduates and melds into single random juxtaposition – “would you look at that picture” “pass the garbanzo beans” – poems on translucent skin live in silent hours of fishlike resonance, crystal arc of crab planet burning oven blue across a neon sky. DE positions, shitting on the floor, cuts back and forth prolonged mental torture film – the first thing you learn is how to quiet all extraneous thought in suborder of the Trichopter sympatico vibration. Nature of Control line accompanies adults in Integripalpia – forms line around debris during first, fourth, and subsequent instars (insectoid moulting in the Holy Lands – word dust falling, eats the Academy back and forth on EarthSphere frequency). Whole thing comes down from destruction of family on the viewscreen (torture film at 25 frames per second), shrugs heavy metallic shoulders – decentralised lines in construction of back and forth between connective tissue – first-class random juxtaposition for school of insect thought – enlist services of Nick Hann, the Architecture Kid, back and forth between faces, batted twice and scoring of the Earl on the hailing frequency. Total Control line match – hail on the EarthSphere frequency – whole thing ill on “do this” “do that”, four years later: state Church of Integripalpia. Self-defence made on first-class Catholic priest (insect organisation, the Academy on decentralised lines, spitting in the green dawn...) – pulls up the viewscreen, cricket club Lancashire – the first thing you have to learn is random juxtaposition (Oxford first-innings bowls to Blessed Tattersal while in seating of alien textual disease – red light shines through translucent skin – boils the lakes and leaves dry husk of planet). Waters of the word dust ovens play minion – cut back and forth leaving only dry husk of 1967 falling in word dust silence – total: garbanzo beans. Move down east – all kinds of literature on the viewscreen and large copper mine gives jitters – Director Massimo hailing EarthSphere from here on out. Shadow of a doubt? 600 million tonnes of word dust ovens – student of a shadow – settlement of heavy metal at 25 frames per second – the Academy permits no speech sounds for any reason whatsoever, fills the lungs with soup (“pass the garbanzo beans”). Traveller Philly comes sliding down the individual thought (pre-data modality: records on the camera gun at 25 frames per second) – out for long defence on the liminal foothills (purple translucent skin) – word dust ovens burning pitgails in east of dials lighting up in crystal succession, back and forth in random juxtaposition, always approaching another student (never know...) The Terminus passes west at every level – weighty emerald Kamnik in slow up and down of beathing apparatus (insect city of Academy on decentralised lines – avoid the ovens in western turn of lights and dials in crystal succession) – history, fortress of grand textual disease, early 12th century – born from here on out. Dissolves monastery in prominent purge of 1473 – the Holy Lands – crab people out on Control wavelength dissolve and reintegrate into single being on the hailing frequency – tempo taking dead space from here on out, green eyes light up in theology of heavy metallic gas down the breathing tube. Visiting scholar seized by journalist (where does such a thing come from?) – word dust ovens burning blue – make her stories seem textual disease – take the quote for novel in crystal array and convert story of “Johanna sings the hailing frequency” – knocking on the back brain. Send report to Second Fraulein – contain word dust at 25 frames per second (torture film on the Control frequency) – all nationalities at work for Director Massimo, pulls up the gravesite, enlists services of Zabrinov Hill, cuts back and forth between remains of the German Language. Girls in pigtails of literature house – vicinity of Traveller Philly – blow up the tape recorder, cutting back and forth between settlement of Brothers Grimm outhouse. Girls in pigtails hold the Mass Poetik – all manner of speech sounds on larval frequency, silent in liminal word dust night (Insect Academy permits no speech sound for any reason whatsoever) – “would you look at that operation” – Thursdays we have professor – dead language on torture film at 25 frames per second, pulls up the viewscreen in German literature – “send down the order”. Sunday attempts at film production: cut back and forth the torture film at 25 frames per second – Faber leaves genre art in south wall of Catholic Church (all different and melding into singular being – buried in various institutions). First production of copper ore – jitters in the green dawn... step back from the Academy, random back and forth – encourage experience of organisation on dentralised lines – administrative brothers of the documentary film, choreographic and larval pupae. Faber and his small set retinue (officially selected tributary of the Earl in torture film hailing frequency) north of new church in the Holy Lands – the Academy eats itself on Control lines – grows film festival projected in slow back and forth of the Academy-insect-crab people (Integripalpia burning blue across a neon sky) – recover the cinema reel, recover EarthSphere in sympatico vibration. Pressurised aqualung – burn all plant matter and live in silence – crablike planet liquid through dark space – hear all manner of voices coming through on EarthSphere frequency. Director Massimo puts the kibosh on Control effluvium, comes down the order – everything you might meet. Word lines centralised in crablike planet of alien Salzburg – “would you look at dry dust boys burning bright in ovens of New York-Chicago” – speech sounds cut back and forth, “never know when you might pull my way” – gather samples of doubt. Director Massimo on liminal reintegration, pulls the viewscreen back and forth at the Architecture Kid – floor on the whole thing comes through on random juxtaposition: decentralised alien textual disease. Can the dry dust boys hail EarthSphere in word dust ovens? Shadow of Traveller Philly, the Architecture Kid – never know Massimo sends down the order at 25 frames per second. Shadow of boys in bathing outhouse, decentralised lines cut back and forth connective tissue – pass the garbanzo beans – December 1960 is word dust silence in heavy metallic gas of pass the garbanzo beans – studied literature in strange alien disease, pulls up 1984 in miasmic green of EarthSphere on Control kick – the Academy eats itself. Upon the death, Bee and Beasley leap up from way of life in panic and chaos – authority of the Jana Bishop in forgotten nebula – all manner of word dust falling back resistance by “do this” “do that”. Construction devestated by pockets in random juxtaposition and quick departure – the great masters walled in and diocesan priests calling back to EarthSphere and the old Catholic, spitting in the green dawn... Traveller Philly cuts back and forth – “would you look at that picture” – murdered in community of World War II, Tičjek no. 20. Elected on Control frequency – Direct Death, taken ill with 50 Slovene militia men on interplanetary kick – murdered on decentralised lines – never know the grave of the thing – comes down in south of Malta, cuts silent home in neighbourhood of 25 frames per second. The Oratorians send down order of execution in protest zone, fall of liminal wavelength – Traveller Philly cut from illness and weak health in tombs of crablike nebula – publishes volumes of word dust falling... Shadow of a doubt? All manner of saints shitting on the floor in interplanetary kick, clogging up November 1863, crablike on Control line – burn in oven blue – directed speech sounds learn oratory of London self-defence. Isolated thoughts live in County Council flat (makes you feel good just to see it...) – burn all manner of literature – word dust falling on every level. Isolated pocket to St. Wilfrid – Integripalpia larvae on the insect wavelength – the Holy Lands (the Academy permits no speech sounds for any reason whatsoever – never know when you might meet another student). Cut the tape recorder in random juxtaposition of London soundscape (back and forth, insect-Control – the Academy eats itself) – first forgotten nebula (director of altar and silence), shrugs shadow of metallic shoulders on the tape recorder, cuts back speech sounds and organises the garbanzo beans. Faber burns blue oven in juxtaposition of individual works – the Academy stresses individual thought programming – the Academy eats itself . Word dust falling – never know when you might meet Christ's death, back and forth on the liminal wavelength. Director Massimo at 25 frames per second – movies in shadow of the Architecture Kid comes in on the hailing frequency at 25 frames per second – my partner, Newman, shimmering through the control display. New York-Chicago art glow – never know when you might meet another – the great masters burning word dust, cut the word at random. Cut the Control girls in pigtails dressing tape recorder on self-defence of textual disease – thin students walking programme up on the viewscreen, shrugs heavy metallic shoulders in Chicago-New York City. Five books at a time and all manner of speech sounds in bathing outhouse tape recorders cutting back and forth at 25 frames per second – “pass the garbanzo beans” – New York city cuts in on Control lines back and forth in heavy metallic atmosphere of crab planet. DE, Traveller Philly, the Architecture Kid in random juxtaposition of translucent skin of Salzburg art gallery – slow up and down of the breathing apparatus – all kinds of literature leads Director Massimo up against a neon sky. Crystal array: “would you look at the viewscreen” – hail and trasmit across all frequencies. Traveller Philly: shadow of a doubt – report back to EarthSphere – cuts in the fix, the Architecture Kid. Word dust down through pictures – cuts directed word on the lungs, forceful weight in word dust falling – individual thought leaps into nearest pond (green miasma coming down on translucent shadow skin). Slow Philly cuts in on cinema blue of crab planet word water (green miasma)– pass the garbanzo beans in word dust of neon night – meet Newman in purple gills flapping and all manner of silence, long webbed fingers into EarthSphere frequency at 25 frames per second, heavy succession – leaps up in shifting skin of neon green...
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